The Moral of the Story: Content, Process, and Reflection in Moral Education Through Narratives

Front Cover
Universal-Publishers, 1999 - Education - 120 pages

The problem this project attempts to solve is to develop a workable moral education in light of the clash between religious forms of moral education and U.S. Supreme Court decisions concerning them. The concept of story and storytelling has been suggested as a unifying focus for disparate prescriptions for moral education.

Several recent approaches to moral storytelling have been proposed. The approaches of William Bennett, Nel Noddings, and Herbert Kohl are among those which have attempted to combine moral education and storytelling within the last decade. Bennett is identified with other theorists whose primary concern is the moral content of a story. Noddings is identified as a process theorist, whose primary concern is the process of moral storytelling, not the content. Kohl is identified as a reflection theorist, whose approach challenges tradition in the hope of creating a more moral society. Each one of these three approaches attempts to provide a comprehensive program of moral education, but they fall short of that goal. The purpose of this project, then, is to construct a storytelling moral education program that improves upon earlier approaches.

Using the three levels of moral thinking posited by R.M. Hare, a three-level approach to moral storytelling is proposed. The intuitive, critical, and meta-ethical levels of moral thinking that Hare refers to are used to frame a new, three-level, approach to moral storytelling. The three-level approach combines content, process, and reflection into a unified prescription for moral education. Thus, a more comprehensive plan for moral education through storytelling is developed, one that respects traditional forms of moral education while remaining within the parameters set by the U.S. Supreme Court.

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Contents

CHAPTERS
11
The ThreeLevel Approach
17
Moral Literacy
23
Stories and Context
29
KohlbergandStories
39
Storytelling and School Democracy
46
Four Types of Dialogic Storytelling
52
Storytelling as inquiry
55
Traditional Stories Revisited
61
Stories and Passion
67
Comments and Criticism
73
Basic Values and Moral Storytelling
79
Honesty
85
Adaptability
91
Stories and the Three Levels of Moral Thinking
97
LIST OF REFERENCES
107

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Page 40 - ... half of what it cost. He told the druggist that his wife was dying and asked him to sell it cheaper or let him pay later. But the druggist said, "No, I discovered the drug and I'm going to make money from it.
Page 47 - If he stole the drug, he might save his wife then, but if he did, he might have to go to jail, and then his wife might get sicker again, and he couldn't get more of the drag, and it might not be good. So, they should really just talk it out and find some other way to make the money.
Page 15 - The moral imperative that emerges repeatedly in interviews with women is an injunction to care, a responsibility to discern and alleviate the "real and recognizable trouble" of this world. For ! men, the moral imperative appears rather as an injunction to respect the rights of others and thus to protect from interference the rights to life and self-fulfillment.
Page 37 - It seemed to me standing there that this nothingness was so oppressive and disturbing that it became a sort of madness, and the room a sort of padded cell. It seemed to me that the core of our greatest contemporary trouble lay here, that all this whiteness and shapelessness and weakness was the leukemia of noncommitment, sapping our strength. We had found, finally, that only nothing could please all, and we were trying to make the greatest of all generalities out of that most singular truth, the...
Page 40 - In Europe, a woman was near death from a special kind of cancer. There was one drug that the doctors thought might save her. It was a form of radium that a druggist in the same town had recently discovered. The drug was expensive to make, but the druggist was charging ten times what the drug cost him to make. He paid $200 for the radium and charged $2000 for a small dose of the drug.
Page 19 - Able to be carried by articulated language, spoken or written, fixed or moving images, gestures, and the ordered mixture of all these substances; narrative is present in myth, legend, fable, tale, novella, epic, history, tragedy, drama, comedy, mime, painting (think of Carpaccio's Saint Ursula), stained glass windows, cinema, comics, news item, conversation.
Page 40 - Heinz Dilemma": in Europe, a woman was near death from a very bad disease, a special kind of cancer. There was one drug that the doctors thought might save her. It was a form of radium that a druggist in the same town had recently discovered. The drug was expensive to make, but the druggist was charging ten times what the drug cost him to make.
Page 48 - Clearly, these differences arise in a social context where factors of social status and power combine with reproductive biology to shape the experience of males and females and the relations between the sexes. My interest lies in the interaction of experience and thought, in different voices and the dialogues to which they give rise, in the way we listen to ourselves and to others, in the stories we tell about our lives.
Page 71 - Enten-Eller, he argued that the aesthetic life is one to which a human life is dissolved into a series of separate present moments, in which the unity of a human life disappears from view. By contrast in the ethical life the commitments and responsibilities to the future springing from past episodes in which obligations were conceived and debts assumed unite the present to past and to future in such a way as to make of a human life a unity.
Page 11 - Hence there is no way to give us an understanding of any society, including our own, except through the stock of stories which constitute its initial dramatic resources.

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